Jul 2, 2011

Euthanasia Coaster

“Euthanasia Coaster” is a hypothetic euthanasia machine in the form of a roller coaster, engineered to humanely – with elegance and euphoria – take the life of a human being. Riding the coaster’s track, the rider is subjected to a series of intensive motion elements that induce various unique experiences: from euphoria to thrill, and from tunnel vision to loss of consciousness, and, eventually, death. Thanks to the marriage of the advanced cross-disciplinary research in space medicine, mechanical engineering, material technologies and, of course, gravity, the fatal journey is made pleasing, elegant and meaningful. Celebrating the limits of the human body but also the liberation from the horizontal life, this ‘kinetic sculpture’ is in fact the ultimate roller coaster: John Allen, former president of the famed Philadelphia Toboggan Company, once sad that “the ultimate roller coaster is built when you send out twenty-four people and they all come back dead.”

The Fantasies of Euthanasia

Euthanasia Coaster from Julijonas Urbonas on Vimeo.

Source

Philip Kwame Apagya

Philip Kwame Apagya is a Ghanaian artist whose color photographs reflect a contemporary twist on traditional West African portraiture. In Apagya's photos, subjects interact with his brightly painted 2-D backdrops, interiors and exteriors that catalogue the trappings and accoutrement of an affluent international culture. Subjects inhabit faux living rooms showing library shelves or consoles stuffed with expensive electronics, or chat on cell phones standing before home computers, or prepare to board that international flight to happiness. While Apagya's photographs reflect a young and prosperous generation of consumers, one can imagine that for some, the photographs also present a "reality" beyond their means.

01-15402-14403-14004-12305-12106-11707-11808-110

Source: http://www.looo.ch/global/2011-06/636-apagya

Jun 1, 2011

Ron Gilad

Ron Gilad, 1972, Tel-Aviv. Actually Gilad lives and works in New York City, his hybrid objects combine material wit with aesthetic play; they sit on the fat, delicious line between the abstract and the functional. Gilad is fascinated with philosophizing about the common objects we live with. His work, which vary from one-off to limited editions and production pieces, have no “expiration date” and reside in both public and private collections worldwide.
http://www.spacesetc.com/home




Sculptures by artist Ron Gilad