Jul 14, 2011

Victor Enrich

Interesting architectural phantasies
Source: http://www.victorenrich.com/archives/category/3/3-13

Stitched Panorama

Stitched Panorama 

Stitched Panorama

Jul 2, 2011

Dave Wyatt Photogrpahy

http://www.davewyatt.com/images/thamestown/

http://www.davewyatt.com/files/gimgs/15_daw2008027z03-12.jpg http://www.davewyatt.com/files/gimgs/15_daw2008027z06-06.jpg

http://www.davewyatt.com/project/mammalia/

http://www.davewyatt.com/files/gimgs/8_daw2008029z06-05.jpg http://www.davewyatt.com/files/gimgs/8_daw2008029z64-05.jpg

http://www.davewyatt.com/project/killing-time/

  http://www.davewyatt.com/files/gimgs/12_daw2008023z07-09.jpg http://www.davewyatt.com/files/gimgs/12_daw2008030z04-03.jpg

Euthanasia Coaster

“Euthanasia Coaster” is a hypothetic euthanasia machine in the form of a roller coaster, engineered to humanely – with elegance and euphoria – take the life of a human being. Riding the coaster’s track, the rider is subjected to a series of intensive motion elements that induce various unique experiences: from euphoria to thrill, and from tunnel vision to loss of consciousness, and, eventually, death. Thanks to the marriage of the advanced cross-disciplinary research in space medicine, mechanical engineering, material technologies and, of course, gravity, the fatal journey is made pleasing, elegant and meaningful. Celebrating the limits of the human body but also the liberation from the horizontal life, this ‘kinetic sculpture’ is in fact the ultimate roller coaster: John Allen, former president of the famed Philadelphia Toboggan Company, once sad that “the ultimate roller coaster is built when you send out twenty-four people and they all come back dead.”

The Fantasies of Euthanasia

Euthanasia Coaster from Julijonas Urbonas on Vimeo.

Source

Philip Kwame Apagya

Philip Kwame Apagya is a Ghanaian artist whose color photographs reflect a contemporary twist on traditional West African portraiture. In Apagya's photos, subjects interact with his brightly painted 2-D backdrops, interiors and exteriors that catalogue the trappings and accoutrement of an affluent international culture. Subjects inhabit faux living rooms showing library shelves or consoles stuffed with expensive electronics, or chat on cell phones standing before home computers, or prepare to board that international flight to happiness. While Apagya's photographs reflect a young and prosperous generation of consumers, one can imagine that for some, the photographs also present a "reality" beyond their means.

01-15402-14403-14004-12305-12106-11707-11808-110

Source: http://www.looo.ch/global/2011-06/636-apagya